Sunken Treasure
There's rows and rows of houses
With windows painted blue
With the light from a TV
Running parallel to you
But there is no sunken treasure
Rumored to be
Wrapped inside my ribs
In a sea black with ink
I am so
Out of tune
With you
I am so out of tune
With you
If I had a mountain
I'd try to fold it over
If I had a boat (probably roll over)
You know I'd probably roll over (leave it on the shore)
And I leave it on the shore (leave it for somebody)
I'd leave it for somebody
Surely there's somebody
Who needs it more than me
I am so
Out of tune
With you
I am so out of tune
With you
For all the leaves will burn
In autumn fires and then return
For all the fires we burn
All will return
Music is my savior
I was maimed by rock and roll
I was maimed by rock and roll
I was tamed by rock and roll
I got my name from rock and roll
New Madrid [Uncle Tupelo]
All my daydreams are disasters
She's the one I think I love
Rivers burn and then run backwards
For her, that's enough
They all come from New York City
And they woke me up at dawn
She walked with me to the fountain
And she held onto my arm
Come on, do what you did
Roll me under New Madrid
Shake my baby and please bring her back
'Cause death won't even be still
Caroms over the landfill
Buries us all in its broken back
There's a man of conviction
And although he's getting old
Mr. Browning has a prediction
And we've all been told
So come on back from New York City
Roll your trucks in at dawn
Walk with me to the fountain
And hold onto my arm
Come on, do what you did
Roll me under New Madrid
Shake my baby and please bring her back
'Cause death won't even be still
Caroms over the landfill
Buries us all in its broken back
originally appears on Anodyne / Uncle Tupelo
written by Jeff Tweedy
Pick Up the Change
If it's just your heart talking, I don't mind
If you wanna call me darling, that's just fine, that's just fine
But if it's your mind that's wandering, it'll fall in line
When I kiss your cheek dear, every time, every time
We used to have a lot of things in common
But you know now we're just the same
You always had more than I really wanted
Aw honey, help me
Aw honey, help me pick up the change
If it's just your heart talking, I'll listen every time
Dear, you can talk my ear off, anytime, anytime
But if my mind starts wandering, it won't be gone long
Whenever I hear your heart talking, it's a song, it's a song
We used to have a lot of things in common
But you know now we're just the same
You always had more than I really wanted
Aw honey, help me
Come on honey, help me pick up
Aw honey, help me pick up the change
Aw honey, help me
Come on honey, help me pick up
Aw honey, help me pick up the change
Instrumental credits:
Jeff Tweedy – vocals, acoustic guitar
John Stirratt – bass
Max Johnston – banjo
Ken Coomer – drums
Brian Henneman – guitars
Black Eye (Uncle Tupelo)
He had a black eye
He was proud of
Like some of his friends
It made him feel somewhere outside
Of everything and everywhere he'd been
Like his brothers
He emptied himself
And played it safe
Like their father
He wanted to remember
But he almost always
Forgot what he was gonna say
Black eye
Black eye
When he realized
That this one was here to stay
He took down
All the mirrors in the hallway
And thought only of his younger face
Black eye
Black eye
written by Jeff Tweedy
March 16-20,1992 / Uncle Tupelo
Radio King (Golden Smog)
Lets go down, together
3 A.M tomorrow night
I’ll take you over anything
Lets go out, together
Broad daylight in the street
I’ll take you anywhere
Your music fills my car
Your voice breaks every time
I’m still wonderin
If I know who you are
I hang on every line
Lets go down, together
Down by the old mainstream
I’ll take you over anything
Lets go back in time
Nineteenfiftynie
I’ll take you, Radio King
Your music fills my car
Your voice breaks every time
I’m still wonderin
If I know who you are
I hang on every line
written by Jeff Tweedy and Gary Louris (appears on Golden Smog album down by the old mainstream)
Cars Can't Escape
When red is bled
And petals blue
And in my sleepless head
Our love's been dead a week or two
Sometimes, good times
Are stuck inside of you
And then they're gone
But I don't know why
A lot of things have changed
Since we said goodbye
There were reasons for you to love me
But I gave you none
So I tap my glass and nod my chin
And wonder who you've been in rhythm with
So time's just time
Cars can't escape
When clouds are gray and close
Not often, too far away
And blue has no value, power, or hue
Or open skies, relationless
Carelessness is what I miss
And that's how I think of you
Sometimes, good times
Were all we had to do
So I tap my glass and nod my chin
And wonder who you've been in rhythm with
So I tap my glass and nod my chin
And wonder who you've been in rhythm with
Songwriters: Jay Bennett / Jeffrey Scot Tweedy
Cars Can't Escape lyrics © Words Ampersand Music
Art of Almost
No!
I froze
I can’t be so
Far away from my wasteland
I never know when I might
Ambulance
Hoist the horns with my own hands
Almost
Almost
I heard a faint olé
True love but
I had other ways to hurt myself
Like calling
I could open up my heart
And fall in and
I could blame it all on dust
The Art of Almost
Almost
Almost
Almost
I’ll hold it up
I’ll shake the grail
Disobey across the waves
Tomorrow
I’ll have all the love I could ever ache
And I’ll leave almost with you
All of almost
Almost
Art of almost
Almost
Art of almost
Almost
The Long Cut (Uncle Tupelo)
I've been searching
And you've been gone
Out looking for the shortest path
To the one that you're on
And I've already seen
All I wanna see
Come on, let's take the long cut
I think that's what we need
When we were younger
And we were strong
We felt a lot better
Than the things that we'd done
Now if it's to be, if you still believe
Come on let's take the long cut
I think that's what we need
If you wanna take the long cut
We'll get there eventually
I've been searching
And you've been gone
Out looking for the shortest path
To the one that you're on
Now if it's to be, if you still believe
Come on let's take the long cut
I think that's what we need
We've been in a deep rut
And it's been killing me
If you wanna take the long cut
We'll get there eventually
Eventually
Eventually
originally appeared on Anodyne / Uncle Tupelo
written by Jeff Tweedy
Dash 7
Dash 7 in the air
Propped to the sun alone
Jets hum
I wish that I was still there
Props, not a jet, alone
Where the sun doesn't come down
Because I've found the way those engines sound
Will make you kiss the ground
When you touch down
Dash 7 pointed down
The captain's announcement
Doesn't make a sound
Because I've found the way those engines sound
Will make you kiss the ground
I found the way those engines sound
Will make you kiss the ground
When you touch down
Instrumental credits:
Jeff Tweedy – vocals, acoustic guitar
Lloyd Maines – pedal steel guitar
Bull Black Nova
It’s in my hair
It’s on my clothes
It’s in the river over the road
It’s shining down, my angry star
Hanging on the hood of my car
I’m not going far
I’m not going far
It’s coming down
They’re coming up the shoulders
What have they found?
I wonder if they know
I’m in a bull black Chevy Nova
Silhouetted by the setting sun
This can’t be undone
This can’t be undone
If I’m the one with blood on my sofa
Blood in the sink, blood in the trunk
High at the wheel of a bull black Nova
Then I’m sorry as the setting sun
This can’t be undone
Can’t be outrun
It’s in my head
There’s blood in the sink
I can’t calm down
I can’t think
I keep calling there’s blood in the trunk
I can’t calm down
Pick up
Pick up
One True Vine
I was last in line
For the one true vine
The endless winding thread
I was dead at first
I had done my worst
When you came to me
Life had ceased
I was lost and tired
You set me free from this mighty mighty fire
Just in time to be
My one true vine
And you still come to me
And you comfort me
You're the only one I believe
I trust you
I hope that someday you will trust me too
I wanna be what you are to me
Life had ceased
I was lost and tired
You set me free from this mighty mighty fire
Just in time to be
My one true vine
Red-Eyed and Blue
We've got solid-state technology
Tapes on the floor
Some songs we can't afford to play
When we came here today
All I wanted to say
Is how much I miss you
Alcohol and cotton balls
And some drugs
We can’t afford on the way
When we came here today
We all felt something true
Now I'm red-eyed and blue
I Got You (At the End of the Century)
I got you and that's all I need
I got you and that's all I need
I got you and that's all I need
I got you
I got you and I still believe
That you are all I will ever need
It's you, oh
All the way back in the seventies
You were my little TV queen
Tarzan and your friend Janine
I got you
I got you and I still believe
That you are all I will ever need
It's you, oh
It's the end of the century
And I can't think of anything
Except you
It's the end of the century
And I can't think of anything
But you, oh
All, I, need
I got you
I got you, babe
I got you
You
You, ooh ooh
I got you
I got you
Oooh
I got you
Summer Teeth
Like a cloud
His fingers explode
On the typewriter ribbon
The shadow grows
His heart's in a bowl behind the bank
And every evening when he gets home
To make his supper and eat it alone
His black shirt cries
While his shoes get cold
It's just a dream he keeps having
And it doesn't seem to mean anything
And it doesn't seem to mean anything
One summer a suicide
Another autumn a traveler's guide
He hits snooze twice before he dies
And every evening when he gets home
To make his supper and eat it alone
His black shirt cries
While his shoes get cold
It's just a dream he keeps having
And it doesn't seem to mean anything
It's just a dream he keeps having
He feels lucky to have you here
In his kitchen, in your chair
Sometimes he forgets that you're even there
It's just a dream he keeps having
And it doesn't seem to mean anything
It's just a dream he keeps having
It's just a dream
And it doesn't seem to mean anything
Instrumental credits: Jeff Tweedy – vocals, acoustic guitar
Jay Bennett – electric guitar, lap steel, piano, keyboards, bells, backing vocals
John Stirratt – bass, backing vocals
Ken Coomer – drums
A Magazine Called Sunset
There's a magazine called Sunset
And a tape machine that won't let
Me ever forget this impossible longing for you
Let's take a map across your pillow
And breathe the sky in through your window
I'll stay in the riddle and watch your books cave in
Oh maybe you're my inspiration
Just lead me to some new sensation
I'll make a little guide they can call our own
Cause there's a magazine called Sunset
And a tape machine that won't let
Me ever forget this impossible longing for you
Oh I'm a future fallout standing
In the present erase our phantom
There's a magazine
There's a magazine
Oh there's a magazine, oh yeah
Oh I'm a future fallout standing
In the present erase our phantom
Oh there's a magazine
And a tape machine
Oh that's everything
Oh there's a magazine
And a tape machine
Oh that's everything
Oh yeah
Hummingbird
his goal in life was to be an echo
riding alone, town after town, toll after toll
a fixed bayonet through the great southwest
to forget her
she appears
in his dreams
but in his car, and in his arms
a dream could mean anything
a cheap sunset on a television set could upset her
but he never could
remember to remember me
standing still in your past
floating fast like a hummingbird
his goal in life was to be an echo
the type of sound that floats around
and then back down like a feather
but in the deep chrome canyons of the loudest Manhattans
no one could hear him
or anything
so he slept, on a mountain
in a sleeping bag underneath the stars,
he would lie awake and count them
but the great fountain spray of the great Milky Way
would never let him
die alone
remember to remember me
standing still in your past
floating fast like a hummingbird
remember to remember me
standing still in your past
floating fast like a hummingbird
a hummingbird
a hummingbird
Instrumental Credits
Jeff Tweedy Vocals
John Stirratt Electric Rhythm Guitar & Background Vocals
Glenn Kotche Drums
Mikael Jorgensen Piano
Jim O'Rourke Bass & Electric Lead Guitar
Frankie Montouro Hammer Dulcimer
Karen Waltuch Viola
I'm Always In Love
Why, I wonder is my heart full of holes
And the feeling goes but my hair keeps growing
Will I set the sun
On a big-wheeled wagon
Well I'm bragging
I'm always in love
When I let go of your throat, sweet throttle
When I clean the lash of your black-belt model
Will I catch the moon
Like a bird in a cage
It's for you I swoon
I'm always in love
I don't get the connection
If this is only a test
I hope I do my best
You know I won't forget
When I fold the cold in my jet-lag palm
When I soak so long I forget my mother
Will I set the sun
On a big-wheeled wagon
Well I'm bragging
I'm always in love
It's a drag I snag
Well I'm always in love
Well I'm worried
I'm always in love
I'm worried
I'm worried
I'm worried
I'm always in love
I'm worried
I'm worried
I'm worried
I'm always in love
I'm worried
I'm worried
I'm worried
I'm always in love
I'm worried
I'm worried
I'm worried
I'm always in love
Instrumental credits:
Jeff Tweedy – vocals, baritone guitar
Jay Bennett – bass, piano, keyboards, drums, backing vocals
John Stirratt – piano, backing vocals
Ken Coomer – drums
The Late Greats
The greatest lost track of all-time
The Late Greats’s “Turpentine”
You can’t hear it on the radio
Can’t hear it anywhere you go
The best band will never get signed
The Kay-Sette’s starring Butcher’s Blind
So good you won’t ever know
They never even played a show
Can’t hear ‘em on the radio
The greatest singer in Rock-n-Roll
Would have to be Romeo
His vocal chords are made of gold
He just looks a little too old
The best songs will never get sung
The best life never leaves your lungs
So good you won’t ever know
You’ll never hear it on the radio
You can’t hear it on the radio
The Thanks I Get
Is that the thanks I get for loving you?
Is that the thanks I get for telling you the truth?
You say you wanna know
Where I go when I go
You say you wanna communicate
But you don't hear a word I say
Is that the thanks I get for loving you?
I'm tired of the looks you give me when I get home late
And I'm getting tired of how you forget the loving things I say
I treat you right
I tuck you in at night
Now everytime I go out to play
Why you think I'm leaving?
Is that the thanks I get for loving you?
Now faith and trust are the strongest parts of us<
That's okay but you must believe in our love
We can make it better
We can make it better
We can make it better
Let's pull ourselves together
And start it again
I hold you tight
You tuck me in at night
I don't ever wanna fight again
I think we're both crazy
But that's the thanks we get for fallin in love
We can make it better
We can make it better
We can make it better
We can make it better
We can make it better (make it better)
We can make it better (make it better)
We can make it better (make it better)
We can make it better (make it better)
We can make it better
Let's pull ourselves together
And start it again
A Shot in the Arm
The ashtray says
You were up all night
When you went to bed
With your darkest mind
Your pillow wept
And covered your eyes
And you finally slept
While the sun caught fire
You've changed
We fell in love
In the key of C
We walked along
Down by the sea
You followed me down
The neck to D
And fell again
Into the sea
You changed
Oh, you've changed
Maybe all I need is a shot in the arm
Maybe all I need is a shot in the arm
Maybe all I need is a shot in the arm
Maybe all I need is a shot in the arm
Maybe all I need is a shot in the arm
Maybe all I need is a shot in the arm
Maybe all I need is a shot in the arm
Something in my veins
Bloodier than blood
something in my veins
Bloodier than blood
something in my veins
Bloodier than blood
something in my veins
Bloodier than blood
The ashtray says
You were up all night
When you went to bed
With your darkest mind
You changed
Oh you've changed
What you once were isn't what
You want to be any more
What you once were isn't what
You want to be any more
What you once were isn't what
You want to be any more
What you once were isn't what
You want to be any more
What you once were isn't what
You want to be any more
Instrumental credits:
Jeff Tweedy – vocals, acoustic and 12-string guitars, synthesizers
Jay Bennett – lap steel, piano, keyboards, synthesizers, drums
John Stirratt – bass
Ken Coomer – timpani